Society for Music Perception and Cognition

Upcoming Abstract Deadlines

April 9, 2021: ISMIR Tutorials Proposals

April 16, 2021: UbiMus 2021

April 30, 2021: ISPS

May 8, 2021: ISMIR

May 21, 2021: WUGSOM

June 1, 2021: SYSMUS21

June 8, 2021: Mirage

July 1, 2021: Audio Mostly

July 21, 2021: i3DA Special Session

Upcoming Conferences and Workshops

To see archived past events, click here

(Events are ordered in ascending chronological order by conference date; semester-long events appear at the top)

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Future Directions of Music Cognition

Originally scheduled for May 2020, “Future Directions” is part of the Music & Science Colloquium and Teaching Series (MASCATS),
a symposium series at The Ohio State University led by Lindsay WarrenburgLindsey Reymore, and Daniel Shanahan

Due to COVID, the conference has been reorganized as a set of events to take place in 2021: 

Virtual Speaker Series 
Mondays, Feb. 22-May 31, 2021
On zoom (see link for more information)

Virtual Conference (for accepted paper presentations) 
March 6-7, 2021
On zoom

Abstracts due: December 2019

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Acoustical Society of America (ASA) Webinar Series

The Acoustical Society of America has established a Webinar Series with the goal to provide ongoing learning opportunities and engagement in acoustics by ASA members and nonmembers throughout the year, as a supplement to content presented at bi-annual ASA meetings.

ASA Webinars will be scheduled monthly and will include speakers on topics of interest to the general ASA membership and the broader acoustics community, including acoustical sciences, applications of acoustics, and careers in acoustics.

Online
Monthly (usually Thursday at 4pm EDT)
Webinar website
ASA nonmembers are welcome 
Request registration details from asa@acousticalsociety.org

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EARS: Electronic Auditory Research Seminars

A monthly auditory seminar series with the focus on central auditory processing and circuits. Please pre-register (for free) and tune in via Crowdcast (enter your email to receive the link for the talk).

Online
Monthly (usually 1pm EDT)
Webinar website

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Unsung Stories: Women at Columbia's Computer Music Center

The symposium focuses on women who have studied and worked at the renowned Columbia-Princeton Electronic Music Center (renamed the Computer Music Center in 1996). Unsung Stories highlights the work of women, including the work of BIPOC and LGBTQ+ composers and musicians at the Center, examining how institutional networks and intersections of race, ethnicity, gender, sexuality, national origin, and other identifications impacted the daily work, modes of interaction, and visibility of women composers at the CPEMC/CMC and in the field more broadly. It features panels and roundtables with over thirty composers and scholars who will discuss the legacy, musical excellence, experience, and visibility of the diverse women who have worked at the Center from the 1950s to the present.

Unsung Stories also includes a podcast series with an initial five episodes released this spring, featuring women active at the CPEMC/CMC over the years. In Fall 2021, Unsung Stories will wrap up with a concert showcasing work by women affiliated with the Center.

April 9-10, 2021
Online (Hosted by Columbia University, New York, USA)
Symposium Website

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New England Sequencing and Timing Meeting (NEST)

April 17, 2021
Online (Hosted by Music Dynamics Lab, Uconn, Storrs, CT)
Conference website
Abstracts Due: March 1, 2021

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Expression Language Music

May 12-14, 2021
Lyceum Conference Center, Hartford, CT 
Conference website
Abstracts Due: December 9, 2019

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15th International Symposium on Cognition and Musical Arts (SIMCAM)

May 25-28, 2021
Online (Hosted by Brazilian Association of Cognition and Musical Arts)
Conference website
Research Abstracts Due: March 14, 2021
Performances Due: April 18, 2021

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4th International Mobile Brain/Body Imaging (MoBI)

June 6-9, 2021
Swartz Center for Computational Neuroscience, University of California San Diego, California, USA
Abstracts Due: March 6, 2021.

Early-Bird Registration deadline: April 1st.
Conference website here
Contact: Co-organizer John Iversen (jiversen@ucsd.edu).

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MIRAGE Symposium #1: Computational Musicology
June 8-9, 2021

Computer technologies could potentially offer revolutionary tools to better understand and appreciate music. Although computer music research is a very active and productive area of research, algorithms are not yet able to comprehend the full richness of music. This symposium is an attempt to strengthen the dialogue between computer science and musicology, in both directions.

Hosted by MIRAGE Project & RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion
Virtual (zoom)
Symposium website here 
Calls for participation: Prior to June 8

Call for participation: Musicologists and computational music researchers are highly welcome to actively participate in the symposium, and, to begin with, in the discussions during the pre-symposium phase. This is an opportunity for musicologists in particular, but also computational music researchers, to express their needs, suggestions and perspectives. The objective is to foster discussion and potential collaborations. Based on the discussion, joint and individual presentations and/or panel discussion will be given during the afternoon of the second day of the symposium. After the symposium, ideas and investigations will be compiled in the form of an edited book as well as scientific publications.

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The Neurosciences and Music – VII

Rescheduled: June 18-21, 2021
Aarhus, Denmark
Organizers: Mariani Foundation, Center for Music in the Brain, Royal Academy of Music Aarhus/Aalborg.
Theme: Connecting with music across the lifespan
Abstracts Due: January 2020

Conference website here

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RPPW 2021

The Rhythm Production and Perception Workshop
June 22-25, 2021
RITMO, University of Oslo
Abstracts Due: February 15, 2021

Conference website here

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8th International Conference on Digital Libraries for Musicology (DLfM)

The 8th DLfM conference, to be held online, welcomes contributions related to any aspect of digital libraries and musicology, including topics related to musical archiving and retrieval, cataloguing and classification, musical databases, special collections, music encodings and representations, computational musicology, or music information retrieval (MIR). 

In Association with IAML 2021
July 28-30, 2021
Online
Abstracts Due: March 29, 2021
Conference website here

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16th International Conference on Music Perception and Cognition/11th Triennial conference of ESCOM

July 28-31, 2021
Central Hub: The University of Sheffield, UK
Other Hubs: Australia, Azerbaijan, Colombia, India, Mexico, Poland, South Africa
Conference website
Abstracts Due: January 14, 2021

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Western University Graduate Symposium on Music (WUGSOM)

The program committee invites graduate students of from all institutions and all disciplines to submit proposals for papers on any aspect of music, including but by no means limited to music theory, musicology, ethnomusicology, music cognition, music education, composition, and performance. We welcome papers on any topic and encourage a diversity of excellence in research across many fields.

August 20-21, 2021
Host: University of Western Ontario 
Virtual (zoom)
Conference website
Abstracts Due: May 21st, 2021 4pm EST

Keynote: Dr. Phil Ewell (Hunter College, CUNY)

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Audio Mostly - Virtual Conference

Audio Mostly 2021 calls for Papers, Demos, Workshops, and Music & Installations on the topic of “Sonic experiences in the era of the Internet of Sounds.”
September 1-3, 2021
Conference website
Submissions Due: May 1, 2021
Early Registration Deadline: July 1, 2021

Keynotes: 

• Prof. Bob Sturm (KTH Royal Institute of Technology)
• Prof. Marianna Obrist (University College London)
• Prof. Paola Cesari (University of Verona)

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Ubiquitous Music Workshop (UbiMus 2021)

Ubiquitous Music is an interdisciplinary research area that combines methodologies from music, computer science, education, creativity studies, human sciences and engineering. Researchers working on ubiquitous music topics are invited to submit proposals, initial results and complete research projects. The workshop will adopt Portuguese, Spanish and English as working languages.

September 6-8, 2021
Eleventh Workshop on Ubiquitous Music (UbiMus 2021)
CARA, Matosinhos, Portugal (Hybrid conference)
Conference website
Abstracts and Music Submissions Due: March 22, 2021
Full Paper Submission Due: July 21, 2021

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Special Session on Six Degrees-of-Freedom audio @i3da

This special session will provide a venue for sharing the latest results and high-quality research ideas on all aspects of 3DoF+ and 6DoF audio at the International Conference on Immersive and 3D Audio (I3DA). Conference proceedings will be submitted to the IEEE Xplore Digital Library and SCOPUS.

September 8-10, 2021
International Conference on Immersive and 3D Audio (I3DA)
Bologna, Italy
Conference website
Abstracts Due: March 22, 2021
Full Paper Submission Due: July 21, 2021

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International Symposium on Performance Science

The ISPS 2021 theme, Performance Health and Wellbeing, is intended to encourage discussion and debate on connections between performance, wellbeing and society. Specific research topics, fields of study, and methodological approaches have been left open intentionally to encourage interdisciplinary exchange.

October 27-31, 2021
Schulich School of Music at McGill University
Montreal, Canada
Conference website
Abstracts Due: April 30, 2021

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SYSMUS21 - 14th International Conference of Students of Systematic Musicology

Annual student-run events designed to allow advanced bachelors, masters, and PhD students in the fields of systematic musicology and music science to meet and discuss their research. Due to generous funding from Novo Nordisk Foundation, the conference fee will be very low — we expect less than 60 EUR. We invite presentations in the form of live talks, virtual talks, and poster presentations.

SysMus is dedicated to represent the diversity of topics and methods that are summarized under the umbrella term ‘systematic musicology’. Therefore, submissions addressing any of the following subjects are welcome (but not limited to these): Music perception, music cognition, music therapy, music modelling, music information retrieval, music sociology, music education, music technology, music and culture, music philosophy, music theory and analysis.

November 3-5, 2021
(With a Satellite Event on November 2)
Aarhus, Denmark (with virtual component)
Conference website
Abstracts Due: June 1, 2021

Keynotes: 

• Jonna Vuoskoski (RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion, University of Oslo)
• Nori Jacoby (Computational Auditory Perception research group at the Max Planck Institute for Empirical Aesthetics, Frankfurt)

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22nd International Society for Music Information Retrieval (ISMIR) Annual Conference

We're very happy to announce our "Special Call for Papers on Cultural Diversity in MIR" at ISMIR 2021 to promote the cultural diversity of MIR research and the ISMIR community. Please see below for the details.

November 8-12, 2021
(Tutorials occur on November 7, 2021)

Online

Tutorial Submissions Due: April 9, 2021 (Anywhere on Earth)
Final Tutorial Submissions Due: April 16, 2021 (Anywhere on Earth)
Abstract Submissions Due: May 8, 2021 (Anywhere on Earth)
Final Paper Submissions Due: May 15, 2021 (Anywhere on Earth)
Conference Website